Artist Impression of Spartan Warriors Battle of Thermopylae |
I listened to an interview recently with
author, Michael Stephenson, whose new book, How Soldiers Die, A History of
Combat Deaths, was discussed recently on NPR. Because writing is largely a
study in human nature and the behaviour of characters, I was particularly
interested in Mr. Stephenson’s views of how soldiers fight and die and how they
deal with the experience of combat.
Artist Impression of Celtic Warriors in Battle |
When I compare war in the ancient world to
war in the age of gun powder, the romantic in me tends to think of the former
as much more heroic. How brave it was to stand in the front ranks with your
brothers, shield to shield against the front ranks of an enemy. They would have
been a sword’s length away and you would have been able to see the facial
features of the man you were trying to kill, the man who was in turn, trying to
kill you. With the invention of gun powder (something I still see as a tragic
turn of events in world history), it meant that truly brave, heroic warriors
were able to be killed by enemies at a distance.
Tank in Afghanistan |
Mr. Stephenson highlights this as a central
difference between combat in the ancient and early medieval worlds to combat in
the age of firearms and then to combat involving modern technologies where
soldiers rarely see their enemies. It is the discussion of fighting an
impersonal, faceless war that is particularly intriguing and telling. The
question of how fighting a faceless war affects the soldiers is one with
various answers, depending on who you are talking to. In the radio interview,
some Viet Nam , Gulf War and Afghanistan
veterans call in to give their perspectives, including on the rituals,
abhorrent or not, that can keep a unit of men closely knit.
Hector and Achilles in Single Combat |
I do not pretend to know the feelings of
those fighting in modern wars, as most of what I know comes from the media,
like most people. I do know people who have lost loved ones who
served, who have felt the resultant pain. In the past, songs would have been
sung of heroes who faced down their enemies sword to sword on the battlefield
before thousands of others. Whether it is Hector and Achilles, or Leonidas and
the 300 Spartans, songs are still sung of them, stories told. But who will sing
songs or tell stories of the individuals who are blown away by a roadside bomb
or taken out by a drone controlled by a joystick hundreds or thousands of miles
away?
As the title of Mr. Stephenson’s books
says, soldiers die. I believe it is important in fiction to relay that. It does not
need to be overly graphic in my opinion but, neither should it be bloodless.
George R.R. Martin shows us that war in a medieval setting is anything but
bloodless and he describes it to good effect to the point where you can smell the
terror of battle and its aftermath. Men are maimed and do not always emerge
from battle as shining as when they entered it.
'Faceless' Drone |
Soldiers are human beings and when it comes
to historical fiction they should entail all sorts, from the truly
chivalrous to honourless scoundrels and everything in between. In the end, the
heroes and their deeds, and those who perform acts of selfless courage, will
stand out.
It is important to remember, whether tales from
Thermopylae and Marathon to the Somme, Normandy
and Afghanistan .
Soldiers deserve support for their acts of courage, not for the crimes of a few
or the extremely poor decisions of the politicians who sent them into battle
for their own greed.
Artist Impression of Armoured Knight |
I look forward to reading Mr. Stephenson’s
book and gaining some more insight and a new perspective on what soldiers face
in combat. Take five minutes to listen to the interview in NPR, here, and check
out the book. I know I will.
My fiction recommendations for ancient and medieval war and the warrior ethic are many indeed so, here are a few authors and ancient works that spring to mind immediately: Glyn Iliffe (Odysseus series), Steven Pressfield (Gates of Fire), David Gemmel (Troy series), The Song of Roland (Medieval text about the brave rear guard action of Charlemagne’s army) and, Aneirin’s Y Gododdin (heroic poem about the about the Britons’ last stand against Saxon invaders). There are, of course many more. Happy reading and glory to the brave!
2 comments:
Thanks Adam, this book sounds magnificently useful. I call Dave Grossman's 'On Killing' the bible on combat; it's subtitle is 'The Psychological Cost of Learning to Kill in War and Society'. I think a dose of this sort of thing, on real combat experience - on psychology of combat - essential for the historical novelist; otherwise we fantasize, and often that means to de-humanize people of the past.
Cheers for the comment, Bryn, and for the book recommendation. I'll definitely check it out. It is definitely useful, essential, for an historical novelist to get into the psychology of the soldier though I think that that psychology has, perhaps, changed over the ages as warfare has changed. Must have been quite a mental shift from standing in the front line of a phalanx to sitting in a far-removed office controlling a drone. It is a very interesting subject. Cheers!
Post a Comment