Showing posts with label Homer. Show all posts
Showing posts with label Homer. Show all posts

Saturday, May 24, 2014

The Nine Muses – Creativity and the Higher Realm


And one day they taught Hesiod glorious song while he was shepherding his lambs under holy Helicon, and this word first the goddesses said to me – the Muses of Olympus, daughters of Zeus who holds the aegis: "Shepherds of the wilderness, wretched things of shame, mere bellies, we know how to speak many false things as though they were true; but we know, when we will, to utter true things.”

So said the ready-voiced daughters of great Zeus, and they plucked and gave me a rod, a shoot of sturdy laurel, a marvellous thing, and breathed into me a divine voice to celebrate things that shall be and things there were aforetime; and they bade me sing of the race of the blessed gods that are eternally, but ever to sing of themselves both first and last. (Hesiod, Theogeny)

Hesiod
Sometime between the eighth and seventh centuries B.C. the poet Hesiod created his Theogeny, a work outlining the birth and genealogy of the Gods.

At the beginning of this epic poem, Hesiod talks about how, as a shepherd, he was caring for his flock on the slopes of Mt. Helicon, in the region of Boeotia. While there, Hesiod says that the Muses came to him and inspired him to create the Theogeny, a work that to this day provides the basis for ancient Greek religion.

Hesiod, before that, had not discovered his artistic self. He was a shepherd, the son of a farmer.

And yet, while on the slopes of this sacred mountain, the goddesses, the Muses, came to him and inspired him to bring forth his great first work.

Mt. Helicon (1829)
Hesiod does not say he invented the contents of his work, or that he gathered existing tales from all over the Hellenic world.

The Gods gave him that song to sing. They inspired it in him, and he heard them.

We may scoff at this sort of thing today, our modern, media-driven minds too dense and distracted to hear anything beyond the ping of a mobile, but in the ancient world, and later ages of faith, the greatest artists and creators were those that paid attention to divine inspiration.

In the ancient Greek and Roman worlds, creativity and artistic endeavour were the realm of the Nine Muses, the daughters of Zeus and Mnemosyne, or ‘Memory’.

Tell me, Muse, the story of that resourceful man who was driven to wander far and wide after he had sacked the holy citadel of Troy. He saw the cities of many people and he learnt their ways. He suffered great anguish on the high seas in his struggles to preserve his life and bring his comrades home. But he failed to save those comrades, in spite of all his efforts. It was their own transgression that brought them to their doom, for in their folly they devoured the oxen of Hyperion the Sun-god and he saw to it that they would never return. Tell us this story, goddess daughter of Zeus, beginning at whatever point you will. (Homer, The Odyssey)

I’ve just finished reading a book called The War of Art, by historical fiction author, Steven Pressfield.

This is a wonderful book that every person with a measure of artistic inkling should read and re-read. It is about doing the things that you love and were meant to do without giving in to any excuses, or ‘Resistance’, as Pressfield calls the artist’s enemy.

But Pressfield also reminded me of something that I forget from time to time.

Creativity should never be taken for granted. If you feel that there is something creative you want to do, or be, it is your sacred duty to do or become that. When you feel those urges, you have to fight ‘Resistance’ and rationalization with all of your might so that you can bring those things you were meant to create to fruition.

Those urges are the Muses speaking to you, telling you it’s time. If you ignore them, it’s to the detriment of your own soul.

Because when we sit down day after day and keep grinding, something mysterious starts to happen. A process is set into motion by which, inevitable and infallibly, heaven comes to our aid. Unseen forces enlist in our cause; serendipity reinforces our purpose.

This is the other secret that real artists know and wannabe writers don’t. When we sit down each day and do our work, power concentrates around us. The Muse takes note of our dedication. She approves. We have earned favor in her sight. (Steven Pressfield, The War of Art)

Homer
In ancient eyes, those who ignored the Gods didn’t do too well.

Hesiod and Homer knew that it was their duty to honour the Muses, they knew that they could not have created the works that they did without the goddesses’ help. Hubris was not a good thing in the ancient world.

But it was not just Hesiod and Homer who called on these goddesses for help. Throughout history, some of the greatest poets and other artists did so too.

Tell me, Muse, the causes of her anger. How did he [Aeneas] violate the will of the Queen of the Gods? What was his offence? Why did she drive a man famous for his piety to such endless hardship and such suffering? Can there be so much anger in the hearts of the heavenly gods? (Virgil, The Aeneid)

Praxiteles' Hermes
and Dionysos
The artist who called on the Muses for aid and blessing was the one that was listening.

We know of writers and poets who have called on the Muses in their work because they have been written down, but I imagine that painters and sculptors would have done so too. What might Praxiteles have done before he broke the surface of a piece of marble? Or Michelangelo before he put his brush to the ceiling of the Cappella Sistina? What went through Mozart’s head before the first heavenly notes of his Clarinet Concerto in A major came to him?

Before an ancient singer breathed those first notes, or before the lyre player plucked that first string at the Panathenaea or the Pythian Games, you can be sure that some inner prayer, conscious or unconscious, was sent up to their own Muse.

You can also be sure that for the artist whose heart was open to this, the Muses spoke back.

…and I alone was there, Preparing to sustain war, as well Of the long way as also of the pain, Which now unerring memory will tell. Oh Muses! O high Genius, now sustain! O Memory who wrote down what I did see, Here thy nobility will be made plain. (Dante, Inferno)

But who were the Muses? Early traditions said there were three, but that eventually turned to nine, and that is the number that has been given for ages. Their leader was Apollo, the God of Art, Light and Prophecy, and in this particular capacity he was known as ‘Apollo Mousagetes’, or ‘Apollo Muse-leader’.

Each one of these goddesses was responsible for a particular art form, and so, individual artists may have called on certain Muses. The names of these goddesses and their assigned art are as follows:


Calliope – Epic Poetry

Clio – History


Erato – Lyric Poetry


Euterpe – Song and Elegaic Poetry


Melpomene – Tragedy


Polyhymnia – Hymns


Terpsichore – Dance


Thalia – Comedy


Urania – Astronomy

I will begin with the Muses and Apollo and Zeus. For it is through the Muses and Apollo that there are singers upon the earth and players upon the lyre; but kings are from Zeus. Happy is he whom the Muses love: sweet flows speech from his lips. Hail, children of Zeus! Give honour to my song! And now I will remember you and another song also. (Homeric Hymn to the Muses and Apollo)

Some of the arts assigned to the Muses might not seem like ‘art’ to us today – I’m thinking of Astronomy and History in particular. However, to the ancients, this made perfect sense. Astronomy involved philosophy and the understanding of the Heavens; it required great imagination and thought.

Mnemosyne - 'Memory'
by Rosetti
And History? Well, to me that is ‘Mnemosyne’. History is the record of human achievement in all areas, including art. History, poetry, and storytelling go arm in arm.

It must have been a humbling experience for ancient artists to know that the Muses were looking over their shoulders as they carried out the work they were inspired to do.

It must also have been a wonder-full experience to feel that, to know that you were not alone.

My hope is that we have not totally lost this today – artists, writers, athletes, inventors, creators of all kinds will find themselves in what we call ‘The Zone’. Many will thank ‘God’ for their successes, they will be exhilarated after a good session.

As a writer, I know that when I sit down and have a fantastic writing time, even after the worst of days, there must be something more at work. I feel like I’ve had help that day. I feel like I have done justice to the art that I love.

If you are a creator of something, anything, it behoves you to acknowledge the help that you have had, especially if that help is Heaven-sent.

O for a Muse of fire, that would ascend The brightest heaven of invention! A kingdom for a stage, princes to act, And monarchs to behold the swelling scene! (William Shakespeare, Henry V)

Thank you for reading.



Friday, March 8, 2013

Virtual Hearth Fire


Last week I (and hundreds of thousands of others – millions?) watched Amanda Palmer’s Ted Talk on-line.

People have been going nuts for this for a variety of reasons; everyone is talking about it, the flair with which she delivers her message, the naked thing etc.

But I think that for most of us creative types, Amanda Palmer’s words and the depth of feeling expressed when she speaks about that genuine connection with an audience, has struck a chord. So many folks are out there on Twitter, Facebook and other media trying hard to flog their wares like they’re in a medieval marketplace because they are desperate to make a living with their art. They hunger for it and can’t wait to ‘make it happen’.

When you feel trapped doing something that‘s unrelated to your creative centre of the universe it’s easy to forget the truly important things like connecting with your audience and sharing your passion for what you really love and hold dear.

Amanda Palmer's Ted Talk was fantastic and, though I am way too shy for the naked thing (you have to watch it to find out what that means), I did take away some valuable ideas and thoughts and yes, they do relate to ancient or medieval history.

The internet connects us all globally and instantly and what it is, to my mind, with its millions of blogs, videos and other social sites, is a titanic gathering of virtual hearth fires.

Social media has, however, become so commonplace these days that I think most of us now take these regular human interactions for granted.

We need to be reminded that behind every e-mail, blog post, Tweet, ‘Like’, or comment is a person with ideas, with something to share and contribute.

We should remember to greet all of these with the respect and gratitude they deserve, so long as they, in turn, are also respectful.

As I get older and, it seems, busier and busier, I have realized that time is indeed utterly precious. So, when someone takes time to share we should take note and give back.

With this in mind, I have come to view my blog, and other sites, in a different light. Amanda Palmer highlights the interactions between people, performer and audience. In my case, I think of writers and readers interacting, sharing as peers.

'Homer and His Guide' 
This view, this idea personal interaction, reminds me of the ancient bardic traditions of our ancestors. Whether in ancient Greece when a blind Homer sat on a rock and recited his tales of the Trojan War and Odysseus to those gathered about him, or in ancient Britain when Taliesin bewitched his listeners with his magical words, people have gathered around the fire for ages to hear stories told, to be inspired and exchange ideas.

It is strange that the internet, this chimera of the modern age, should bring us closer to our ancient tradition of storytelling than we have been in a long time.

We can roam at will from one fire to the next to hear stories and ideas expressed on any number of themes and in any language we wish.

It’s truly amazing… and humbling.

I’d like to thank all of you who have been following, leaving comments here, on Google+, on the Eagles and Dragons Facebook page or sending me personal e-mails. I really do enjoy hearing from you and always answer everyone.

Oftentimes, bloggers feel they are just throwing posts out that are never heard, but the other day I checked out the stats for this website and to my surprise there were around four hundred views for many of the posts. You’re a quiet bunch, and that’s ok!

That said, I would like to invite my regular readers, and newbies, to come and sit at the Writing the Past hearth fire to share your own thoughts on ancient and medieval history and historical fiction/fantasy.

A bard and his audience
If you are interested in writing an on-topic guest blog about your experiences writing or reading historical fiction/fantasy or about a visit you made to an ancient site, let me know and we can make it happen. It’s great to share with other listeners around the fire.

Also, if there are topics you would like to hear about, let me know. You can reach me here at Writing the Past, on Twitter @AdamHaviaras, on Google+, Eagles and Dragons on Facebook, or e-mail me via the ‘About Me’ section of this blog.

If you have your own website, send me the link. I would love to visit!

We live in a very exciting time of human interaction and information. In our modern world the past, and its resources, its stories, have never been more accessible.

I look forward to meeting you around the hearth fire.

Cheers and thanks for visiting!