Showing posts with label research. Show all posts
Showing posts with label research. Show all posts

Thursday, March 20, 2014

In the House of the Muses

The Nine Muses
We’re going to a very special place today. It’s one of the only places where you can meet the past, step into it, whisper to it, and sometimes even touch it.

To the curious among us, to the lovers of history, and those who sometimes feel out of place in the present day, this can be a sanctuary, a place of pilgrimage, or a second home.

I’m talking about the Museum.

Have you ever walked among the displays or cabinets of a museum and paused to listen, to look, because some artifact grabbed your attention, because it whispered something to you from its niche?

I have, many times. I love walking among history’s ghosts. They teach, they inspire, they speak to us in ways that books don’t. These ghosts are our direct link to the people of the past, be it a mirror or piece of jewellery, dagger or even a nail.
Red Samian bowl

Someone hundreds or thousands of years ago touched the objects you see in a museum, held them dear, or created things with them.

Today I want to introduce you to some of the museums that have meant a lot to me. I’m not talking about those bastions of cultural heritage like the British Museum, the Louvre, or the Athens Archaeological Museum. We know all about those.

What I want to look at are the smaller site museums that often fly under the popular radar, but which contain the hidden gems that have fueled my academic research, and my novels.

The word ‘museum’ comes from the Greek ‘mouseion’ which means ‘House of the Muses’, or more literally ‘Place of the Muses’.

That is where I want to go.

Many of these museums are located on archaeological sites, and others hold artifacts of nearby places.

A lot goes into researching and writing an historical novel. You want to become acquainted not only with the big events and people of the day, but also the average person and his or her everyday items and routines.

It’s always a given when I’m doing research or travelling that my footsteps always lead me to the local museum.

When it comes to Roman Britain, one of my main stops is usually the National Roman Legion Museum at Caerleon, just outside of Cardiff, Wales.

Caerleon was the base of the II Augustan Legion in Britannia, and if you visit you can  see the remains of barrack blocks, a magnificent amphitheatre, and a wonderful bath complex where the men of the legions washed, socialized and exercised.

The National Roman Legion Museum itself is small but contains a wealth of interesting finds with which you can get right up close and personal. You can check out original pieces of armour and weapons, as well as re-creations, the all-important stone inscriptions that tell us so much about the Roman period, mosaics, amphorae and all manner of items such as the intaglio gemstones that the troops had set in rings but which were lost in the drains of the baths.
Caerleon's Museum

All of these items give some precious insight into the life of Roman legionaries at the edge of the Empire. The museum even has (last time I was there, at least) a re-created barracks room where visitors can see how troops lived together in the real blocks down the street. This museum and the site on which it is located are a great resource that should not be missed!

We’ll head north now to the Wroxeter Roman City site and museum. In Roman times Wroxeter, then Viroconium, was the fourth largest Roman settlement in Britain with about 5000 people. The site itself has impressive remains of a bath complex and palaestra, and the visual interpretations really help to give a sense of what it would have looked like.

Wroxeter's hypocausts
When I was there, it was for research into the Dark Age occupation of Wroxeter, mainly the villa that had been built there and which may have been used by the warlord Vortigern.

But for Roman history, the site museum contains several artifacts that would have been a part of citizens’ everyday lives. A recent addition to the site is the re-created Roman villa, or villa urbana. I love these sorts of re-created buildings because they can really give you a sense of the surroundings and bring a period to life. At sites like these, be sure to look out for days when demonstrations are being put on by re-enactment groups such as the Ermine Street Guard.
Wroxeter's recreated
 Roman Townhouse 


Now we’ll push on to Hadrian’s Wall. There are a number of sites and museums along that 73-mile-long monument. Any one of those is worth a visit – the scenery and history never disappoint!

Of the sites along Hadrian’s Wall, there are three that I would recommend: Birdoswald, Corbridge, and Vindolanda (just south of the Wall).

Birdoswald site and Museum
I went to Birdoswald to study its Dark Age occupation during the post-Roman period, but as ever, I was pleasantly surprised by the Roman history of the site. Birdoswald, or ‘Banna’ as it was known, is one of the best preserved of the 16 forts along Hadrian’s Wall. It is located in Cumbria at the western end of the wall, and has the foundations of barracks, horrea (granaries), a basilica and principia (headquarters building). This was a base for auxiliary forces until about A.D. 400 after which it was used by a local warlord as a power center.

On site is a museum with artefacts, interactive displays and, most interestingly, a very good model of the entire site during the Roman period, including the Wall itself.

Birdoswald drill hall interpretation
For a unique view of Birdoswald, check out the episode of Time Team, in which the archaeologists excavate over their usual 3-day period.

Corbridge (Roman ‘Coria’) is a different site from Birdoswald. This was not fort, but rather a town and supply base for the troops along Hadrian’s Wall where they could mingle and trade with the civilian population. The ruins are extensive and include more horrea, town streets, fountains, sewage systems and markets. The museum, as expected, has numerous small finds that were part of the everyday life of the military and civilian populations.

Corbridge museum artifacts
Site of Corbridge Roman Town










Roman Vindolanda, just south of Housesteads Roman fort on Hadrian’s Wall, is a fantastic site where history and archaeology come vividly to life. This was the site of a fort and civilian settlement that predated the Wall, and the remains are vast, including a fort, a commanding officer’s residence, a barracks, a bath house, and some reconstructions of a Roman wall and a Romano-British residence.

Vindolanda ruins and recreated walls
The best part however, is in the museum. One of the most interesting and important finds to be unearthed at Vindolanda are the series of ‘Vindolanda Tablets’ as they are known. These are the oldest surviving hand-written documents in Britain. These wafer-thin pieces of wood with delicate ink scrawls provide a precious window into the lives of the people who lived and worked at this remote frontier of the Empire. They include a wonderful letter from one lady inviting another to a birthday celebration at her home. It’s a wonderful snap-shot of life on the frontier which must indeed have gotten lonely at times.
One of the Vindolanda Tablets

If you ever do make your way to Vindolanda, be sure to watch for the archaeologists at work. At this site, you can see excavations going on and I must say it’s fantastic when that happens. When I was there, every shovelful that I saw the archaeologists pull up had an artifact it in, a shoe, a piece of fabric, some glass etc. etc. It was amazing!

Our last stop on this small tour of museums profiling Roman collections and sites is the Trimontium Museum in Melrose, Scotland, in the Borders.

Trimontium Museum, Melrose
This site itself was used as a marching camp by Agricola’s troops c. A.D. 80 and had eight subsequent phases of Roman occupation all the way to the time of Septimius Severus’ campaigns into Caledonia in the early 3rd century.

Trimontium is so-named because of the three peaks of the Eildon Hills that overshadow it. It was on the marching route to the north and provided a visible meeting place for the legions and auxiliaries. Some of the most important finds to come from the area are the horse harness and ornamental cavalry armour of the troops that were stationed there.

These finds are wonderful and some can be seen in the museum in Melrose. Some other fun things that the museum had when I visited were some recreated Roman arms and armour that visitors could try on. It was good to heft a scutum and unsheathe a gladius! A very helpful item for research was the four-horned Roman cavalry saddle that I was able to sit in. This gave me a sense of what it was like to sit atop a horse in an age before stirrups. Great insights all around.

This post has turned into a look at museums dealing with the Romans in Britain, but in truth, there are many more little museums that have added a great deal to my knowledge and enjoyment of the ancient world.

Taunton Museum in Somerset was where I got a behind-the-scenes tour of the Cadbury Castle artifacts, as well as the Shapwick Coin Hoard which showed me the faces of Emperor Severus, Julia Domna and Caesar Caracalla up close and personal.

In Greece and Italy, the Olympia Archaeological Museum, and the Palatine Hill Museum in Rome, are places that I long to return to, for all the gifts they gave to me. The Bardo Museum in Tunisia holds some of the most important Roman mosaics in the world, and it was there that I got a good look at life in Roman North Africa.

There are so many!

I’ve really enjoyed this bit of reminiscence, and I hope this post tempts you to take the time to step into the local ‘House of the Muses’ next time you are visiting an ancient or medieval site. They’re everywhere and they all hold some gems.


If you’re lucky, you’ll hear those ghosts whispering in your ear as you pass by.

Yes! That's me having a bit of fun
in Trimontium.



Sunday, March 2, 2014

Eagles and Dragons - The Mixed Bag Post

The last few weeks have been like prep for a military campaign into the wilds of Dacia, or some such place.

Releasing a new book can be exhausting, a logistical nightmare. But it's also exciting, especially when early input from beta readers has been so favourable. I know it has been a long time since the launch of Children of Apollo, so I am grateful that you have stuck with me. It won't take as long for the release of Book III, I can tell you.

There are a few things I wanted to update you on.



Killing the Hydra

First of all, last week I released the book trailer for Killing the Hydra - Eagles and Dragons Book II. You can watch it right here:


If you are saying to yourself that 'most of those paintings are representations of scenes from Homer', you are correct. It is not completely unrelated to the story as you will find out if you read Killing the Hydra.

Killing the Hydra will be released this coming Friday, March 7th, in e-book and paperback on both Amazon and Kobo at an introductory special. More details to come on that…


Children of Apollo 

In the run-up to the release of Book II, I've put the e-book of Children of Apollo - Eagles and Dragons Book I on special offer until March 6th.

If you haven't read it, and if your curiosity is piqued, do be sure to take advantage and download your copy.

Is is available for FREE from Kobo at the following link: http://store.kobobooks.com/en-CA/ebook/children-of-apollo-1

Kobo e-books can be read on their own e-readers as well as iPads, iPhones, Android devices,
computers and any other tablets. You can also get the free Kobo reading apps here: http://www.kobo.com/apps?___store=ca-en&style=onestore

Children of Apollo is also discounted to .99 cents on Amazon for Kindle e-readers HERE. I should also note that I've ensured that whenever someone purchases the paperback of any of my books from Amazon, they can get the e-book version as well, for free.

I'm really proud of this series and how it is evolving. I'm also very grateful to those who have taken the time to write a review on-line, which is always very important in helping other readers to find the books.

English Historical Fiction Authors

For the blog post this week, I was invited to write a guest post for a wonderful website called English Historical Fiction Authors.

This is a site that is well worth subscribing to if you are a fan of various periods in history. They are always posting new content by a wide range of wonderful authors. So, it is definitely an honour for me to have been invited to post.

If you are curious about the research for Eagles and Dragons Book III, you'll want to read my post called From the Sands of Africa to a Hidden Frontier in Roman Britain.

In it, I discuss the research for Warriors of Epona and how the archaeology of a little-known Roman frontier in Scotland must play a part in the story. This is a sort of work-in-progress sneak peak. 

The folks at English Historical Fiction Authors have asked me back for another post in April, so I am looking forward to that too.

That's all for now. Thank you, as ever, for reading and I'll see you on the other side of launch week!


Monday, November 11, 2013

Blog Tour – My Writing Process

Today is blog tour day! I’m pretty excited as I haven’t participated in a blog tour before. It’s a lot of fun and a great way to get to know other writers and their work. I always enjoy reading about other people’s creative process, so I was keen to take part when asked.

Last week, my fellow scribe of ancient stories, Luciana Cavallaro, posted on her website Eternal Atlantis. Be sure to check it out. If you like retellings of ancient myths, you’ll love her Accursed Women series of short stories.

Now for the tour questions and a peek into the Labyrinth of my mind. Be sure to bring your sword and hold on to the end of that string…

What am I working on?

Sometimes I feel like that question should be ‘What am I NOT working on?’ I always thought that I was a writer who would tackle one project at a time. That’s how I read, after all.

But no. There are just too many stories I want to tell, and because I mostly write series, I have a hard time leaving those stories be for extended periods of time. It’s almost as if the characters are all staring at me from across a dark river, pleading with me to help them continue their journeys and not leave them in limbo.

At the moment, my biggest project is putting the finishing touches on Killing the Hydra, the second book in my Eagles and Dragons series. I hope to have that out for the holidays. Eagles and Dragons is my main series and I’m already writing and researching book three, Warriors of Epona.

I’m also writing the second part of my Carpathian Interlude series of novellas which takes place on the Danube frontier during the reign of Augustus. The first part of that was Immortui which was Romans vs. Zombies. The second part, Lykoi, is Romans vs. Werewolves. It’s a lot of fun to write the more fantastical stuff in an historical context.

Other projects that are begging my attention in the wings of my life right now are the second draft of the first part of my Alexander the Great trilogy, and the second draft of a short story I’ve written. The latter is a retelling of the ancient Greek Phaethon myth. I can’t wait to share that with everyone.

Needless to say, time is precious and in short supply.

How does my work differ from others of its genre?

There are a couple of ways in which my work differs from others. I don’t believe, and I’ve been told this by others, that my books slot into one particular genre. A lot of historical fiction, where the protagonists are in the Roman army, deal purely with the military aspects of campaigning, battle and blood. Such books are geared mainly to male adventure readers. In my work I always incorporate some ‘softer’ elements, romance, and strong female characters to balance out the brutality of war in the ancient world. I think that is why at least half of my readers are female. I like to immerse my readers in the serene beauty of a place and then throw them headlong into battle. I like to have something for everyone in my stories.

The second thing that makes my books quite different is the incorporation of ancient religion. I’ve had some wonderful reader comments and e-mails saying that they loved Children of Apollo because no other books they have read made ancient religion and the Gods so great a part of the story. I’m also an historian, and as I see it, if I’m going to give people an accurate a feel for the ancient world, I can’t ignore something that was so integral to that world and its way of thinking. In ancient Greece and Rome, the Gods played an important role in every aspect of life and as such deserve much more than a passing nod. Religion just makes the story that much richer, and accurate.

Why do I write what I do?

I just love history and mythology. I also love storytelling and believe that historical fiction is one of the best ways to learn about the past, to be immersed in it. I first fell in love with history through storytelling and my studies grew out of that.

It wasn’t until recently that I realized that I fell in love with history and writing at the exact same time. 

As soon as I got the history bug after a trip to England, I immediately started writing about the places I’d been to, and the history I had learned -  Poems, short stories, even sketches (though I’m rubbish at drawing!).

Basically, I want to share my love of ancient and medieval history with others in an interesting and entertaining way.

How does your writing process work?

I write in the cracks of my life.

Ideally, I would write all morning and then do editing and marketing in the afternoons. I’d have some good coffee flowing and some nice treats to go along with it.

Then I wake up and realize that’s not going to happen, not with a day job.

I usually carry a notebook for the current project I’m working on and write whenever I can. I do most of my writing on my lunch breaks and can get about 4-5 pages out of that. My first draft is always done long hand in notebooks and then I work on the second draft as I’m typing it out.

A project usually starts like this:

I get a very powerful, personal image that won’t leave me alone. That’s the spark that ignites it all. For Children of Apollo, I just kept seeing a column of dirty, tired legionaries marching over desert dunes. I could taste the sand in my mouth and the sweat running down my cheeks.

Then I jump into research, which is what sets historical fiction apart. It requires tonnes of research if you want to do it well and transport your readers. I try to immerse myself in the period. I travel when I can to the places I’m writing about, I look at colour reference books, maps and photos. I listen to period music (when possible), watch movies and documentaries, and eat and drink things that might have been consumed. Ancient Rome is great because I like wine, but I’m not a fan of stuffed kidneys, sheep’s brains or milk-fed snails. I didn’t go that far for my craft!

Part of my research is also creating an approximate timeline so that my fictional story is in sync with the history. I am a ‘pantser’ when I write, but for historical fiction a timeline can provide a sort of outline.

When I write, I like to listen to movie soundtrack music because it is so emotive. When I get to a major action sequence or battle scene, I’ll stop to sketch out the stages of the combat so I don’t get lost in the chaos.

Then I start writing, and I don’t stop until the story is done. The best advice I ever got was from my late mentor, the poet Leila Pepper, who learned from W.O. Mitchell. Leila said that the most important thing was to “just get the story down on paper…no matter what…just get it down.” That’s great advice, and very liberating. 

I find there is never a perfect time to write. You have to do it whenever you can, and because you love it. For me family always comes first; art supports life, not the other way around. But it’s in those spare moments, however few they might be, that I love to jump into the past and join the characters I’ve created, whether it’s marching through the Sahara, attending an imperial banquet or hunting zombies north of the Danube. There is no better feeling than when the story just comes together unexpectedly, with the exception of hearing the words “Daddy’s home!” at the end of a long day.

I hope you’ve enjoyed reading about my writing process. As ever, I look forward to your comments. Also, be sure to check out the posts from my two friends below. They will be posting their blogs for the tour on their own websites on November 18th. They have interesting stories to tell and I for one cannot wait to hear how they go about their writing lives.

Here they are:

RobertoCalas is an author and lover of history. His serial trilogy (The Scourge) is about a 14th century knight fighting his way through a zombie-infested England to reunite with the woman he loves. And every bit of it is true except for the made up parts. In addition to The Scourge series, Roberto has written The Beast of Maug Maurai (fantasy), and Kingdom of Glass (historical fiction in the Foreworld universe). He lives in Sandy Hook, Connecticut, with his two children, and visits the United Kingdom on a monthly basis to be with his fiancée, Annabelle. Sometimes he fights zombies to get to her.

You can learn more about Roberto on his website: http://robertocalas.com. He’d be most appreciative if you liked his facebook page, too: https://www.facebook.com/RobertoCalasAuthor. And if you feel you can only take 140 characters worth of him at a time, his twitter handle is, @robertocalas.

Lindsay Townsend is fascinated by ancient world and medieval history and writes historical romance covering these periods. She also enjoys thrillers and writes both historical and contemporary romantic suspense. When not writing, Lindsay enjoys spending time with her husband, gardening, reading and taking long, languid baths - possibly with chocolate.